Umbrellium at the Barbican
A new exhibition at the Barbican shows how the technology behind video games is turbocharging the human imagination. But is it art? (Yes.)
by Helen Lewis
At the Liverpool Biennial this month, I had an epiphany: the video installation is the last refuge of the scoundrel. In a world where almost everyone I know carries a video recorder around in their pocket – and where Google is trying to get us to wear them on our faces – the mere act of committing something to tape is no longer alienating enough to kick the mundane into that strange sphere we call “art”. In 1972, when Ana Mendieta made Untitled (Death of a Chicken), an art gallery was probably the only place you could see a naked woman, splattered in blood, holding some recently deceased poultry. Now we have Reddit.
At the biennial – alongside several…
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